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Engineer
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| The audio engineer is the crucial link between the artist's vision and the realization of that vision. There are a lot of complex formulas and mathematical equations to achieve a high quality recording that captures the energy of the performance – but it also takes great ears and intuition to translate an otherwise simple song into a soul-clutching, musical experience. My purpose is to simplify that process down to its core. |
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Engineer
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| Incorporating the best equipment and creative techniques in the right environment creates the opportunity to capture lightning in a bottle, ready to be sculpted into a sonic experience that will blow your mind. Part of my job is to get inside your head, hear what you are hearing and create a way for the rest of the world to enjoy that experience. You have to know what the rules are before you can break them… and none of the albums I’ve ever liked came out of a textbook. |
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Engineer
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| The biggest problem I typically encounter recording bands is that they fail to come into the studio prepared to record. Because they’ve grown up with inexpensive, home studio rigs they’ve learned to compensate for that lack of preparation with huge amounts of time. Part of what I do is to teach bands to prepare to not only to record cost-effectively, but also to build the foundation for a sustainable band career. |
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Producer/Audio Engineer
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Michael Verdick is a thirty-year veteran of the recording industry with Gold and Platinum awards and contributions to the sales of over twenty-six million records. His engineering, producing and mastering credits include Madonna, Ambrosia, Ted Nugent, Larry Carlton, Breakfast Club, The Eagles, Poco, Keith Moon, Juice Newton, The Jets, Toy Matinee, Jay Ferguson, The Yellow Jackets, Bob Welch, Al Jarreau, Steel Pulse, London Beat, Roger McGuinn and Love. During his tenure at Record Plant Los Angeles he worked with John Lennon, Ringo Starr, Harry Nielsen, Sly Stone, Dan Fogelberg, The Tubes and Joe Walsh.
Movie/TV/Soundtrack credits include Terminator, Beverly Hills Cop II, Ali, Live For Ireland, Miami Vice II and Spirit.
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Hometown Boulder heroes, BIG HEAD TODD AND THE MONSTERS booked themselves into IMMERSIVE to lay down the foundation for their 2004 Sanctuary release, "Crimes of Passion." While in No.6, the 'MONSTERS spent their time laying down new drum and bass tracks.
For more information about BIG HEAD TODD AND THE MONSTERS and to check out upcoming gigs, visit their web site at: www.bigheadtodd.com.
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